Found 15 item(s). Displaying 1-15
DuPont Cyrel FAST Round Systems in North America
March 18, 2011
From pP inBox
DuPont Packaging Graphics installed the first DuPont Cyrel® FAST round sleeve processing systems in North America. The evaluation units were installed at Southern Graphic Systems located in Hickory, N.C., and at OEC Graphics in Oshkosh, Wis.
Extend Colors to Extend Reach
November 2009
From packagePRINTING
Of all the assets associated with a given brand, color is arguably the most identifiable. And not just any color, but rather the intense, vibrant color that differentiates a company from its competition and is a key component of high-impact graphics designed to grab the consumer's attention and hold it long enough to trigger a purchase decision.
Designing for Flexo
August 2008
From packagePRINTING
Flexographic printing has come a long way, baby! It’s not your father’s printing process anymore (not even your older sister’s). Flexography has made huge technological gains in many areas, resulting in print quality improvements that have allowed it to rival the benchmark standards established by gravure and offset printing. These improvements, combined with some of its cost advantages, have allowed flexo printing to become a major force in the package-printing arena. “The flexo print process has made great strides in the last decade,” says Darko Martinovic, managing director, SGS Evolution Designworks. “Advances such as hybrid screening, photopolymer plates, direct-to-plate technology, and gearless presses
Presenters Set for Brand Color Management Seminar
January 2008
From pP inBox
CLEMSON, S.C.—This seminar has been developed by collaborators from consumer product groups, prepress vendors, package printers, and Clemson University to bring together, discuss, and educate the package-printing industry and its allied vendors about brand color management. This seminar outlines the opportunities and challenges for creating state-of-the-art brand color management programs, and presents the value of creating and sustaining quality color standards, as well as offering the tools and questions needed to understand, initiate, and monitor your brand color management program. Featured presenters include: • Kevin Chop, Diageo Consumer Goods • Shannon Steele, The Coca-Cola Company • Hazel Van Buren, The Coca-Cola Company • Iain
Putting the “Custom” in Customer
August 2006
From packagePRINTING
“Design2Print” is an ambitious tagline for a company with a singular focus on customer service. Established in 1948, Southern Gravure Systems (SGS) had been a part of Reynolds Metal Co. since 1958, later becoming its wholly owned subsidiary with Alcoa’s purchase of Reynolds in 2000. The company has pursued an aggressive strategy of growth through acquisition, having rolled up 21 acquisitions, most of them independent trade shops, since 1999. In the early- to mid-1980s, SGS recognized that a majority of the gravure cylinders it manufactured for printers were intended for relatively few consumer product companies (CPCs). Consequently, the company determined that there was a need
Platemakers and Suppliers Convene in Florida
April 2006
From packagePRINTING
The Flexographic Prepress Platemakers Association (FPPA) convened its ninth annual convention last month in Amelia Island, Fla. During the three-day conference, presenters from the supplier and provider communities shared their insights on a variety of topics. Following a keynote address by Bill Raaths, CEO of Great Northern Corp., sessions included “The Effect of Simultaneous Imaging and Direct UV Main Exposure on Digital Plates and Sleeves” by Ian Hole of Esko-Graphics; “Remote Digital Proofing: Contract Color and Content Proofing at Remote Sites” by Deborah Hutcheson of Agfa Corp.; “Forensically Invisible Brand Protection Packaging” by Kevin Harrell, Creo/Kodak; “In-the-Round Production Technology” by Dan Rosen of Flint
Automation On the Road to Seamless
July 2005
From packagePRINTING
Automation in prepress can significantly improve time to market through workflow process integration. THE AIM OF workflow automation is to be able to respond to customer requirements quickly. This is accomplished by minimizing or eliminating, as completely as possible, the manual steps that can lead to the costly waste of time, materials, and labor. While developments in workflow automation for packaging tend to mimic those in the commercial printing world, software and equipment vendors continue to develop and refine a variety of integrated tools designed to accommodate the special needs of packaging operations. According to Jan De Roeck, marketing director for packaging
Old Habits Die Hard
August 2002
From packagePRINTING
Though available for years, options are just now being used to improve prepress workflow. Like most businesses in the current economy, convertors are constantly looking to increase their cost-effectiveness through new technology. One often-overlooked stage that printers have begun to explore in an effort to improve workflow, and therefore costs, is the prepress facet of the industry. Improvements in prepress workflow and/or data transmission have been available for quite a while now, but converters have been slow to take advantage of these opportunities. "The tools for improvement are there," says David Zwang, IPA operational TEAM consultant leader and founder of Zwang & Company,
How the Bigger Get Better II
October 2001
From packagePRINTING
At prepress trade shop Southern Graphic Systems, "to measure is to know." by Terri McConnell, Prepress Editor Last December, I was tickled to see Denny McGee—a man named one of the 1990s' "ten most influential people in the packaging industry"—address a room full of his peers with a giant piece of cheese on his head. McGee, hosting the Educator Seminar Series, was playfully hammering home the point that someone has been messing around with the printing food chain. Markets are moving, demands are changing, and we can't expect to find our profits in the same place we found them yesterday. No single group of
Sussing Trade Shop Facilities
September 2001
From packagePRINTING
by Michael Paeth, President, FlexoGrafix The one thing consistent in the world of prepress is change ... daily! If keeping up with new software, proofing, screening technology, plate exposure technology, direct-to-plate, and the myriad of other ever-changing facets of prepress isn't for you, you are not alone. But before you put your work into the hands of a trade shop, you should evaluate your needs, and then evaluate the trade shop that will be getting your work. Here are the "Top 10" criteria (in ascending order) to keep in mind when deciding on a trade shop to handle your work. Since everyone's needs
How the Bigger Get Better
September 2001
From packagePRINTING
Part one of a two-part series exploring how some of the largest prepress companies achieve major-league technology initiatives. by Terri McConnell, Prepress Editor Here we are again. At the point in the grand American economic cycle where it seems that big companies just keep getting bigger, while small companies battle for survival among the giants. As consumers languishing on the other end of perpetual hold, we might wonder just what's so great about the race towards consolidation. Frustrated with the complicated, sometimes dehumanizing experience of doing business with a corporate Goliath, it's easy to believe that mega-companies are endless, faceless entities where nothing
The Dish on Plates
June 2001
From packagePRINTING
While some suppliers continue to pursue digital platemaking, others remain focused on conventional exposure and processing. by Kate Tomlinson, Assistant Editor THE WORLD IS digital. Digital phones, digital cable, and DVDs (digital video discs) are today's reality—will digital plates make way into every pressroom next? More and more suppliers are working to make digital plates commonplace. But how long will it be before every printer has adopted this approach? The future of digital plates "Without a doubt, once digital platemaking systems come full circle, they will be able to offer printers something they can always use more of—time," says Paul Zeinert, manager of
15th Annual Excellence Awards
April 2001
From packagePRINTING
McCoy Packaging's "Kuleto Villa" wine label poured on enough printing charm to ace two categories and capture Best of Show honors in packagePRINTING's 15th annual Excellence Awards. by Susan Friedman, Editor If McCoy Packaging's Best of Show-winning strategy was to forge an indelible impression in the judge's minds, it succeeded, hands down. McCoy's "Kuleto Villa" wine label repeatedly stood up to its competitors in packagePRINTING's 2001 Excellence Awards, initially nabbing first place in the Labels—Flexo (Process) category, where judges singled it out as a difficult printing, diecutting, and embossing job well executed. "[This label] holds beautiful register at 175 line screen," commented judge Roy
2000 Excellence Awards
August 2000
From packagePRINTING
LabelsFlexo (Line) First Place LSK Label Co. El Dorado Hills, CA M.G. Vallejo 750 ml Press: Gallus/Arsoma EM-280 Plates: DuPont Cyrel Anilox Rolls: Harper Dies: CompuDie Substrate: Technicote Ink: Akzo Nobel Judges' Comments: Nice combination of flexo printing with foil stamping/embossing. The sharpness of this entry's line work stood out. Second Place MPI Label Systems Stockton, CA Island Essentials Sunblock Press: Mark Andy 2200 Plates: DuPont Anilox Rolls: Harper Dies: Avis RotoDie Substrate: Fasson Ink: INX International Third Place Tape & Label Engineering St. Petersburg, FL Spring Valley Brewer's Yeast Press: Mark Andy 4150 Plates: DuPont Cyrel Dies: RotoMetrics Substrate: Green Bay Ink: Water
In the Groove
September 1998
From packagePRINTING
Advances in electronic and laser technology and expanded cylinder choices push the dynamic progression of gravure engraving. By Susan Friedman Gravure engraving technology and service suppliers are carving out distinct grooves that can help package printers make more educated decisions about handling engraving themselves or engaging a trade shop. Bob Balzan, VP sales/marketing at Max Daetwyler Corp., says printers who also engrave typically have two to 10 presses, 25-120 employees, and spend $300,000 to $500,000 for an engraving machine. Engraving service providers contend that taking on the complexities of engraving in-house often results in costly mistakes, and can distract from the core business